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The saga of my battle for Hamburg Concert Tickets

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One reason I don't travel to Japan for Nobu's concert is that, due to his popularity, his concert tickets there are difficult to come by. I used to get a good laugh reading postings from folks in Japan about the hardships that they have to endure to get tickets for Nobu's concerts. Like these:
辻井伸行のコンサート行きたかったけどチケットあっという間に完売
I wanted to go to a Nobuyuki Tsujii concert, but tickets were sold out in no time

激戦覚悟で、イープラス1本に絞って10時前にPC前スタンバイ。10時と同時に申込ボタン!
上手く行ったと思いきや、途中で「エラー」…!?
辻 井伸行君ソロリサイタルの一般発売♪
Getting ready for fierce battle, I narrowed it down to the ePlus online site, and stood in front of the PC before 10:00. At 10:00 there was an 'application' button on screen!  I thought that went well, but then there came "error" message ...!?   General release of tickets for solo recital of Mr. Nobuyuki Rsujii

辻 井伸行のチケット取りに711行ったら、完売だったでござる
Seven Eleven [the convenience store that's everywhere in Japan] was sold out of its ticket allotment of Nobuyuki Tsujii by the time I got there

辻井伸行のサントリーホールのチケット、取れなかった(;;)30分で売り切れなんて。。。2008年のサントリーホールのDVD観て敗北をかみしめてます
Tickets for the Suntory hall recital of Nobuyuki Tsujii took less than 30 minutes to sell out. ..I watched the DVD of the Suntory Hall recital of 2008 and feel profoundly defeated. - twitter

12月20日 熊本県立劇場 辻井伸行コンサートのチケット買うために、8時過ぎに家をでた。 9時発売なので、余裕 と、思ったのは大間違いだった。 到着したときはすごい列。後ろにも長い長い列ができた。 何と、二時間ならんでなんとか、S席をゲットできた
On December 20, I left the house just after 8:00 to buy tickets for the Nobuyuki Tsujii concert at the t Kumamoto Prefectural theater. Because the release time was 9:00, I thought the margin was enough. The line was terrible when I arrived. I had a long, long line behind me. I lined up for almost two hours and was able to get S tickets somehow. - twitter

三浦文彰×辻井伸行ジュオリサイタル先行431席。。。 取れませんでした(><) 次は一般販売頑張りますよー💪 夜中2時には並んでたらしい😱
Miura Fumiaki × Nobuyuki Tsujii recital advance sales for 431 seats... I was not able to get mine. Next, I will do the general sales at two o'clock in the morning

I am not laughing any more.  Yesterday,  I got a taste of those ticket battles.
For months, I had been waiting to get tickets for Nobu's debut concerts in Hamburg, Germany (on Oct 27 & 28, with Philharmonisches Staatsorchester Hamburg& conductor Kent Nagano). First, Nobu will be playing Liszt's Piano Concerto No. 1, new to his repertoire. Second, Elbphilharmonie  -- the venue, newly opened in 2017 -- is an attraction on its own. Third, the city of Hamburg beckons me: besides the concert hall, the city offers good hotels, good food,  museums, botanical garden and Lübeck for a day trip -- my favorite things.



On the website of the Hamburg Phil, I learned that non-subscriber tickets for their concerts of the 2019-20 season would come on sale on June 20, starting at 10AM Germany time, the witching hour for the general release of concert tickets, worldwide.   I set my Google Calendar: 10AM in Germany is 1AM my time.

I am no stranger to purchasing tickets online for European concerts.  And there was never any big rush.  In all cases -- even for a big opera at the Vienna Opera House -- I was able to make my purchases on the first day of ticket release, after I get up in the morning (when it is already afternoon in Europe). 

But a knowledgeable friend warned me that tickets for the Elbphilharmonie go fast. Very fast.  It seems the concert hall is such a draw that some people would go to a concert there just to be inside. Getting tickets this time was not going to be easy.  I dug in my heels.  I set about to get familiar with the orchestra's website.  The user interface is good -- it has an English button, for example -- but somewhat cumbersome.   First, one must navigate to the exact concert on the schedule page, and then one must click on a "Buy tickets" button (see image below).



Clicking the "Buy tickets" button takes you to a "Tickets" page customized for the selected concert ... but you have to click yet another button labelled "JetTicket Online Service" to be "redirected to our online ticket ... to quickly and easily buy tickets."   Quickly and easily ... I liked the sound of that.


I created a user account on the orchestra site, always a necessary step for online purchases.  I chose a performance whose tickets were already on sale, and went as far as I could, to be sure that my American credit card would be accepted.  I emailed the ticket office to seek advice.  The reply was prompt and courteous:
Yes, there still is an immense interest in our new concert hall (Elbphilharmonie) so tickets are sold out very fast.
I'm not sure if there is a perfect way but if you have already registered and  have your credit card ready it should be no problem.
Please make sure to get logged in BEFORE booking. You should be able to select each concert and choose from various seats.

A week before the big day, I logged in daily.   To make a practice run, I went through the whole process to buy a relatively inexpensive ticket for a ballet show that I wouldn't mind attending if indeed I would  make the trip to Hamburg.  The purchase went smoothly.

The big day finally came on June 19.  I behaved myself all day: did my workout, ate good meals, and took a nap.  When midnight came around, I was stationed in front of my laptop, battle-ready,  my credit card at hand.  I had bookmarked the page for logging in, which I opened and refreshed every 10 minutes.  At 1AM exactly, a "Buy tickets" button magically appeared next to the "2nd Philharmonic Concert." Bless the preciseness of the Germans!

Alas, the magic did not hold up after that.  The site's response time was sluggish, and error messages cropped up. To my great relief, there were numerous seats still available for each performance -- if only I could manage to lay claims on one at each concert!   It took a lot of patience and a great deal of trial-and-error, but 30 minutes of fumbling later, I finally managed to see two tickets materialize in my virtual shopping cart.  With trembling fingers, I navigated through several more screens and held my breath as I pushed the last "continue" button.  After all that chaos, the transaction was finalized with surprising speed.   Mission accomplished!

But ... staring at the screen,  I realized that I had just bought two tickets for the Sunday Oct 27 matinee instead of one each for the Sunday show and the Monday show.  It clearly said so on the screen display, but, in my mad rush, I failed to notice it.   I cursed my stupidity.  The mistake will have to be dealt with later, but more urgent is that I had to go through the whole process again to get a ticket for the Monday Oct 28 show.  By now, I was an expert in navigating the site, and, 15 minutes later, I made another purchase.

It was now 2AM my time.  I had my tickets -- one too many, in fact.  I crawled to my bed wondering if the whole ordeal was really necessary.

At 8AM next morning, I checked the website and clicked the "Buy tickets" button next to each of those two concerts.  Each time, there was a message that says "no ticket available for this concert."  Whether that means the concerts have sold out remained to be seen.  Later that day, when  I tried again, I got an ominous message that says there are too many connections.  Later still, the site completely crashed, displaying a system error message not meant to be seen by customers, see image below:


The site was messed up for the rest of the day, and when I checked again before I went to bed ( at 10AM June 21 Germany time), the "Buy tickets" button still failed -- OMG that meant no one could buy tickets online for that entire time!

In the morning, I checked again, and -- and this is what I saw:


You will have to forgive my schadenfreude - but I am SO GLAD that I didn't stay up till 2AM in vain! 😆

Incidentally, of the 10 regular concerts of the Hamburg Phil [Philharmonic Concerts] next season, this is the only one that has completely sold out at this point.  And some other concerts of theirs held in the Elbphilharmonie have not yet sold out ... so, I think it is reasonable to assume that Nobu is a factor in the ticket sales.

It was worth the battle!

FOOTNOTE
I wasn't aware of just how active the classical music scene is in Hamburg, but velow is a screen grab of the October calendar of the elbphilharmonie.
Nobu's Oct 27 concert comes  a day after a Lang Lang performance, and on the same day (Oct 27) as a Martha Argerich performance!!






Nobuyuki Tsujii & Fumiaki Miura duo CD 2019

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Today I had the pleasure of adding a new recording to the  Nobuyuki Tsujii English Wikipedia Page
 -- it's been a while!
The new album is:
フランク:ヴァイオリン・ソナタ/ブラームス:ヴァイオリン・ソナタ第1番《雨の歌》
Franck: Violin Sonata / Brahms: Violin Sonata No. 1 "Rain Song"
with violinist Fumiaki Miura
Release date: June 26 2019
Cover photo below -- it shows the two friends, both in shirt sleeves, smiling, seated side-by-side.

Amazon Japan page
***
My own pre-ordered copy should be on its way from Japan.
But twitter Yuki posted these excellent photos taken with her copy -- I know from experience that these photos are not easy to take -- Yuki did a great job.  Thank you for sharing!
Image below:  The case of the album is lined  includes photos of the two friends at the Yatsugatake mountain resort, summer 2017.

***
Image below: Open pages from the liner notes -- always meticulously prepared but sadly incomprehensible to those of us who do not read Japanese.  Included are photos of the 2017 recording session at Berlin's Teldex Studio, for the track of Franck's violin concerto.

***
Speaking of the recording session -- I just noticed this passage in one of my 2017 posts Fumiaki Miura × Nobuyuki Tsujii duo recital - news and comments, which is worth repeating here:
♪ September 7 2017 Kind words from Teldex Studio Berlin
A big thanks to Teldex Studio Berlin GmbH, for mentioning the Nobuyuki Tsujii Fans Facebook page in a post, and for the kindness to Mr. Nobuyuki Tsujii and violinist Fumiaki Miura.
Thank you too for sharing an original post by Mr. Muira, which includes a video clip of the performance of Franck's violin sonata in the studio during the recording session.
https://www.facebook.com/teldexstudio/posts/1971197343103807
Thank you Fumiaki Miura and Nobuyuki Tsujii | Nobuyuki Tsujii Fans, it was a great pleasure for us!
Producer | Friedemann Engelbrecht
Engineer | Julian Schwenkner
**
The video can also be viewed on Twitter here => https://twitter.com/FumiakiMiura/status/905717761191677953

♪ September 6 2017 A CD in the Making
A while back Mr. Masahiro Kawakami (Nobu's long-time piano teacher) wrote on his blog that Nobu and violinist Fumiaki Miura would be heading for Berlin for some CD recording at Teldex Studio Berlin GmbH. A big thanks to Mr. Miura, who posted this tweet today. I am guessing that they are recording Franck's violin sonata.
https://twitter.com/FumiakiMiura/status/905584479653257216
Had a nice CD recording with Nobu in Berlin! Wonderful recording team, Avex and Teldex studio🎼👍辻井くんとCD録音in Berlin!@AvexRecitals
In the photo, the gentleman conversing with Mr. Miura is Mr. Friedemann Engelbrecht, master sound engineer and practically a teacher for Nobu. Nobu is seen in the foreground, playing on the piano, oblivious to the activity in the room.
-----
In the past, Nobu has said that his stage performance is at top form after a recording session with Mr. Engelbrecht, who goes through the music score with the artists meticulously. Mr. Kawakami has written (admiringly) several times in his blog about how demanding Mr. Engelbrecht is.
***
RELATED ARTICLES
Avex Classics Catalog page
Fumiaki Miura × Nobuyuki Tsujii 2017 duo recital - news and comments
Nobuyuki Tsujii CDs and DVDs







Nobuyuki Tsujii played for the G20 summit 2019

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On June 28 2019, leaders of the G20 (Group of 20) economies gathered in Osaka Japan.
Unexpectedly, Nobuyuki Tsujii played a role in the gathering.  He was among the Japanese artists that performed onstage for the dignitaries before a banquet held in the Osaka Castle.
Please read on for details.

The event (including the performances) was shown live on Japanese TV and, as it happened while I was sleeping, I was unaware of a torrent of tweets about it that came up overnight.
Apparently a lot of people in Japan saw the broadcast. But the performance was a complete surprise -- even Twitter Yura, who lives in Osaka, knew nothing of it ahead of time.
UPDATE There is now a complete video of the gathering, viewable on YouTube. Nobu's appearance starts at 1:22:50
Below is a still photo from a video posted to Twitter (which unfortunately contains misinformation that Nobu has Down Syndrome) -- please click here to see the clip.

The video shows Nobu playing "The Flowers will bloom"花は咲く」, a famous piece by Japanese 岩井俊二 Shunji Iwai (song)& 菅野よう子 Konno Yoko (composition) in commemoration of the 2011 earthquake/tsunami.  As Nobu plays on the piano, images are projected on a giant screen behind him, of people who have recovered from the disaster, and superimposed with words of thanks expressed in various languages.
This is followed by Liszt's La Campanella.
The footage shows the world leaders watching attentively, including Japan's Prime Minister Shinzo Abe, Prince Mohammad Bin Salman of Saudi Arabia, Russian President Vladimir Putin, and others.
Please click here to see the clip.
The Osaka Castle "is one of Japan's most famous landmarks."

***
G20 site posting
 
On June 28, Mr. Shinzo Abe, Prime Minister of Japan, and Mrs. Akie Abe hosted the Cultural Program and Leaders’ Dinner at Osaka Geihinkan in Osaka Castle Nishinomaru Garden for the Leaders of G20 Members, Invited Countries and Organizations as well as their Partners.

1 Cultural Program

Prime Minister Abe and Mrs. Abe, together with the Leaders of G20 Members, Invited Countries and Organizations as well as their Partners visited Osaka Geihinkan in Osaka Castle Nishinomaru Garden and watched the Cultural Program based on the concept of "Tradition and Diversity of Japan." The audience enjoyed the performance by the world-renowned Japanese kyogen performer, pianist and opera singer, and deepened their understanding of Japanese culture and arts.
Performers:
Kyogen performer – Mansai Nomura
Pianist - Nobuyuki Tsujii
Opera singer - Michie Nakamaru

2 Leaders’ Dinner and Cocktails

Based on the theme of “Integration of Sustainability and Gastronomy,” the cuisine in the Leaders’ Dinner made extensive use of Japanese products from local Osaka and the Kansai region, reflecting the Japanese people’s belief in the harmony with nature. Vegetarian, halal and other menu options were prepared to meet the various dietary needs based on religious beliefs, allergies and preferences of the guests. In addition, menu books with detailed explanation of dishes in multiple languages were provided, demonstrating the attraction of Japanese culinary culture to the world. At the pre-dinner cocktails, finger foods based on the theme of "Japanese Octet" were offered with beverages.

***
♪ June 30 Kyodo News G20 News Report
Kyodo News posted an article about the G20 performances -- the text is similar to others but there is a new photo of Nobu performing on stage, superimposed with a close-up projected on screen.

***
A twitter captured this still photo from a news clip, of the three performers appearing on stage together -- Nobu's left arm is cradled by opera singer Michie Nakamaru, as comedian Mansai Nomura looked on.  Nobu looks a bit tense, for some reason.

I just noticed that at the ending of the YouTube video (time mark 1:48:20) Nobu is brought back on stage and takes a collective bow with the ensemble of performers.  The guiding and positioning was a little awkward, and perhaps that's why Nobu appears a little tense, image below
Image below: Nobu being brought back to stag, by one of the kyogen actors, after the opera singing.

Image below: Nobu being handed over to the opera singer

Image below: Nobu looks a little tense after all that handling, which I happen to know he doesn't like.

The group getting ready to take a bow together.

The audience applauded, including President Trump, 2nd left.
***
This was big news in Japan -- tremendous coverage - please read on.

NHK News Web
https://www3.nhk.or.jp/news/html/20190628/k10011973571000.html
[Translated from Japanese]
G20 Nomura Shinsai et al. Hospitality to the leaders of each country
June 28, 2019 21:03

The G20 Osaka Summit opened on the 28th. In the evening, cultural events and dinners were held to welcome the leaders of each country, and there were performances such as syllabary and piano performances.

Japan's first G20 Osaka Summit, held at 4:00 pm, ended the second session on the subject of technological innovation, and the discussions scheduled for the first day were over.

The leaders of each nation moved to the Osaka Guest House in the Osaka Castle Park in Chuo-ku, Osaka, and a welcome cultural event was held starting 8:00 pm. At the cultural event, Kyogen was performed by Kyouji Nomura/Nobuyuki Nomura.  The pianist Nobuyuki Tsujii performed and the singing by opera singer Nakamaru Michiya was presented.

... [introduction of each performer and what they performed]
"Flower is blooming" played this time is reconstruction support song of the Great East Japan Earthquake, and Tsujii announces piano music in 2012 of the year following earthquake disaster. [Editorial: This is not a composition by Nobu -- he did perform and record it in 2012, to help raise fund for reconstruction.]

In addition, "La Campanella" is one of the representative work of the composer Liszt, and Mr. Tsujii has played it repeatedly in his own performances.
...
With a photo of Nobu on stage in performance, a large screen projection behind him.
***
https://mainichi.jp/english/articles/20190629/p2g/00m/0in/010000c (Mainichi News)
June 29, 2019 (Mainichi Japan)
G-20 leaders end 1st day of Osaka summit with wagyu beef
OSAKA (Kyodo) -- Leaders from the Group of 20 major economies wrapped up the first day of their summit in Osaka, western Japan, on Friday with a kyogen traditional theater performance and local cuisine featuring wagyu beef and deep fried anglerfish.
Arriving with their spouses at the Osaka Geihinkan guest house, the leaders were greeted one by one by Japanese Prime Minister Shinzo Abe and his wife Akie, who was clad in a chic black kimono with a white obi belt.
Amid the sound of beating taiko drums, the group lined up for a photo with Osaka Castle in the background and were then ushered into an open-air theater to watch a performance by famed kyogen actor Nomura Mansai, who will supervise the opening and closing ceremonies for the Tokyo 2020 Olympic and Paralympic Games.
Pianist Nobuyuki Tsujii, who was born blind, then took the stage to play "Hana wa saku" (Flowers will bloom), a song written to raise funds for recovery from the 2011 earthquake and tsunami in northeastern Japan.
He was joined by opera singer Michie Nakamaru for several more songs before the group then moved indoors for dinner.
Seated nearly elbow to elbow across rows of long tables, the group listened to a brief speech by Abe in which he said the leaders had "worked enough today and should now enjoy the meal."
"Kanpai!" (Cheers!) they all said as they turned their attention to dinner, along with a large selection of local wines and sake. Dessert was peach and wafer treats, followed by green tea.
[Editorial: It is meaningful that Nobu appears in the performance with "actor Nomura Mansai, who will supervise the opening and closing ceremonies for the Tokyo 2020 Olympic and Paralympic Games."  This bodes well for Nobu's aspiration to perform for the Games.]
[Editorial: Kyogen"is a form of traditional Japanese comic theater." 
***
NHK World report
G20 leaders attend art performances, banquet
Leaders from the Group of 20 economies attended art performances and a banquet on Friday evening after the first day of their summit in Osaka.
Kyogen actor Nomura Mansai and pianist Nobuyuki Tsujii were among the artists who performed before the leaders at a guest house near Osaka Castle.
***
Japan Economic News
https://www.nikkei.com/article/DGXMZO46718010Y9A620C1EA1000/
G20、夕食会で狂言披露 メニューに被災地食材も
夫人らは京都・東福寺でお茶会

20カ国・地域首脳会議(G20大阪サミット)では随所で日本ならではのおもてなしを施した。安倍晋三首相が主催した夕食会では狂言師の野村萬斎さんの演技やピアニストの辻井伸行さんの演奏などを披露し日本文化の精神や魅力を発信した。
夕食会メニューでは岩手県産の十六穀米とまいたけの炊き込みご飯など東日本大震災の被災地の食材も使用した。G20の一部の国が続ける食品輸入規制の緩和につなげる狙いがある。...
Crazy talk at a dinner party
Food of affected area to menu
Mrs.Tea ceremony at Tofukuji Temple

At the 20 nations regional summits (G20 Osaka Summit), we provided hospitality unique to Japan.At the dinner party sponsored by Prime Minister Shinzo Abe, the spirit and attraction of Japanese culture were disseminated by showing the performances of the Kyogen Shinsai Nomura and the pianist Nobuyuki Tsujii. 
In the dinner menu, we used ingredients from the disaster area of the Great East Japan Earthquake, such as 16 grain rice from Iwate Prefecture and maitake mushroom incooked rice.The aim is to induce to the relaxation of food import regulations among G20 countries ...
***
https://mainichi.jp/articles/20190628/k00/00m/040/398000c [Everyday News article] 
伝統文化でおもてなし 震災支援へ感謝も G20文化行事・夕食会
G20初日を終えた28日夜、安倍晋三首相主催で各国首脳や配偶者らを日本の伝統文化でもてなす催しが開かれた。夕食会前の文化行事はライトアップされた大阪城を望むステージで開催。狂言師の野村萬斎さんが登場し、音と連動するデジタル画面を背景に舞台を披露した。東日本大震災の際、各国から受けた支援への感謝を伝える映像が流れる中、全盲のピアニスト、辻井伸行さんが「花は咲く」など2曲を演奏した。
 夕食会冒頭、首相がメニューを「持続可能性と美食の融合した『里山』がコンセプト」と説明。「今日は十分…

Hospitality in traditional culture Thank you for earthquake disaster support G20 cultural events / dinner party
On the night of the 20th G20, Prime Minister Shinzo Abe hosted an event in which Japanese leaders and spouses were treated in traditional Japanese culture.The cultural events before the dinner are held on the stage overlooking the lit up Osaka Castle. 
The comedian Mansai Nomura appeared on stage against the background of a digital screen linked to the sound. In the context of the Great East Japan Earthquake, a video is shown conveying thanks for the support received from each country.  Nobuyui Tsujii, completely blind pianist played two songs including "Flowers bloom".
At the beginning of the dinner, the prime minister explained the menu as "Satoyama as the concept of a fusion of sustainability and gastronomy." ...
*** 
https://headlines.yahoo.co.jp/hl?a=20190628-00022350-asahibcv-l27 
with a news clip that includes brief footage of each performance.
 ***
https://www.sankei.com/politics/news/190629/plt1906290002-n1.html 
News article by Sankei News comes with a photo with this caption
Blind pianist Nobuyuki Tsujii (left), who appeared at an event in the traditional culture of each country's leaders, and the opera singer Nakamaru Sanchie-san = 28 nights, Osaka City

Alas, the pianist is not Nobu, who has left the stage after performing La Campanella!
***
Instagram with 3 photos.
https://www.instagram.com/p/BzREjwZjg_A/

Another one is similar to the one posted by NH News.  Yet another one shows this
I am embarrassed that one of the "world leaders" looks somewhat bored -- on the verge of dozing off, perhaps.

But perhaps I formed my opinion too soon.  Yura posted this tweet after the live broadcast
🇯🇵G20
🎹辻井伸行の演奏後、
🇺🇸トランプ大統領も拍手👏
送ってくれてます❗️😆
G20
After performance of Nobuyuki Tsujii
President Trump also applauded
With a screen grab that shows the audience, including Trump, clapping their hands.
***
♪ June 29 "He made his fans very proud"
Twitter Yura, from Osaka area, was among the first in Japan who caught wind of the performance and started posting about it on Twitter soon after newscasts in Japan on June 28.
Unfortunately, it all happened in the middle of the night for me, so I missed all the excitement.
She wrote, among many tweets, these words that I think are representative of the general opinions in Japan:
震災支援の感謝も充分に伝わるような、本当にいい演奏でしたね [It was a really good performance that conveyed enough appreciation for the support for the earthquake. 😌]
花は咲くのですよね~ The flowers bloom, don't they?
彼は素晴らしい音楽大使♬ [He is a wonderful music ambassador!]
なんて名誉なことか [What an honor]
聴きましたか~♪ファンにとってはめっちゃ誇らしいです Listening to him, it made his fans very proud.
***

Nobuyuki Tsujii plays "Flowers will bloom"

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On June 28 2019, leaders of the G20 (Group of 20) economies gathered in Osaka, Japan.
Unexpectedly, Nobuyuki Tsujii played a role in the gathering.  He was among the Japanese artists that performed onstage for the dignitaries before a banquet held in the Osaka Castle.

The performances were aired live on Japanese TV, and there is now a complete video of the event, viewable on YouTube. Nobu's appearance starts at 1:22:50. Nobu played two pieces, "Flowers will bloom " followed by Liszt's showpiece "La Companella."

Nobu's "La Companella" is always an exclamation mark, but this time it is the "Flowers will Bloom" performance that drew the most attention, because we haven't heard Nobu play it recently.  In media reports about the G20 summit, there was some misinformation about this "song."   Below is my attempt to keep the record straight, and I also want to draw attention to a memorable 2012 performance by Nobu with a student-choir.  Please read on.
Image below: Nobu plays "Flowers will Bloom" for the G20. Photo source: NHK News Web

There is a complete video of the June 28 G20 gathering, viewable on YouTube. Nobu's "Flowers will Bloom" performance starts at 1:22:50.
As Nobu plays on the piano, images are projected on a giant screen behind him, of smiling people who have recovered from the disaster and sakura seen against a blue sky, etc., superimposed with words of thanks expressed in various languages. 

Twitter Yura, from Osaka area, was among the first in Japan who caught wind of the performance and started posting about it on Twitter soon after newscasts in Japan on June 28. She wrote, among many tweets, these words that I think are representative of the general opinions in Japan:
震災支援の感謝も充分に伝わるような、本当にいい演奏でしたね [It was a really good performance that conveyed enough appreciation for the support for the earthquake. 😌]
花は咲くのですよね~ The flowers bloom, don't they?
彼は素晴らしい音楽大使♬ [He is a wonderful music ambassador!]
なんて名誉なことか [What an honor]
聴きましたか~♪ファンにとってはめっちゃ誇らしいです Listening to him, it made his fans very proud.
It was a virtuoso performance, not just by Nobu, but the supporting crew who executed the accomapnying screen projections to perfection.

"Flowers will bloom" is not composed by Nobu

Contrary to some media reports, "Flower will bloom" is not composed by Nobu. For the record (according to Japanese wikipedia):
"Flower will bloom" (Hana wa Saku 花は咲く) is a "charity song" created by The Japan Broadcasting Corporation (NHK) to support the reconstruction efforts of the Tōhoku region in Japan, the area devastated by the Great East Japan Earthquake that occurred on March 11, 2011.
The lyrics are written by 岩井俊二Shunji Iwai,  and the composer-arranger is 菅野よう子Yoko Kano , both are from the Tōhoku region.

I took a look on  YouTube, and was astounded by the number of videos of  "Flowers will bloom", performed by artists from all over the world, including the Harvard Glee Club, Il Divo, and Lang Lang.  Nobu recorded it in 2012 and a CD was issued by Avex Classics to help raise fund for the reconstruction.


To reiterate, "Flowers will Bloom" is NOT composed by Nobu, and it is distinct from his elegy for tsunami victims "Still we live on,"  a video of which has earned over 26 million views on YouTube.

A memorable 2012 performance

As I watched the G20 video footage, my mind went back to the first time I became aware of the song "Flowers will Bloom," before it became renowned.  My first brush with the song came with a 2012 documentary aired in Japan.  In this documentary, Nobu travels to the tsunami-devastated region (then just recovered from the disaster) to join local  artists and a junior-high-school student choir to perform the work.  The performance starts with a beautiful prelude composed by Nobu himself, before the choir -- accompanied by Nobu's piano and other instrumentalists -- launch into the singing of the song.
I extracted the footage from the documentary, which you can view on YouTube and below.
The music starts at time-mark 1:50.

I found the lyrics of the song, with English translation, on this page, and put in some subtitles.  But for those who cannot see, here are the lyrics, in Japanese then English:
Hana wa Saku (花は咲く)
真っ白な 雪道に 春風薫る
わたしは なつかしい
あの街を 思い出す

叶えたい 夢もあった
変わりたい 自分もいた
今はただ なつかしい
あの人を 思い出す

誰かの歌が 聞こえる
誰かを 励ましてる
誰かの 笑顔が見える
悲しみの 向こう側に

(*)
花は 花は 花は咲く
いつか 生まれる 君に
花は 花は 花は咲く
私は 何を 残しただろう

夜空の 向こうの 朝の気配に
私は なつかしい
あの日々を 思い出す

傷ついて 傷つけて
報われず 泣いたりして
今はただ 愛おしい
あの人を 思い出す

誰かの 想いが見える
誰かと 結ばれている
誰かの 未来が見える
悲しみの 向こう側に

(*) × 2

花は 花は 花は咲く
いつか 生まれる君に
花は 花は 花は咲く
いつか 恋する 君のために

Flowers will bloom
In the spring wind that blows softly
Over the snow-covered road.
I remember that town,
My sweet old town.

I was there chasing my dreams.
I was there trying to change myself
Now I just miss those people,
My dear old friends

I can still hear them singing
They are singing to cheer up someone else.
I can still see them smiling
Somewhere beyond the sorrow and pain

(*)
Flowers will bloom, oh yes they will,
For you, who are yet to be born someday
Flowers will bloom, oh yes they will.
What have I left behind for you?

Feeling the morning light beyond the dark night,
I remember those days
Those sweet old days.

I hurt people, I hurt myself
I wept over my lost loves.
Now I just miss those people,
My dear old friends.

I can still see their dreams
I can still feel them close to me.
I can still see their futures
Somewhere beyond the sorrow and pain

(*) × 2

Flowers will bloom, oh yes they will,
For you, who are yet to be born someday
Flowers will bloom, oh yes they will,
For you, who are going to love someone someday.
Source: https://lyricstranslate.com
***
RELATED ARTICLES
June 28 2019 Nobuyuki Tsujii played for the Japan G20 summit
Hana wa Saku (花は咲く) Flowers will bloom lyrics -- Japanese and English

Hana wa Saku (花は咲く)

真っ白な 雪道に 春風薫る
わたしは なつかしい
あの街を 思い出す
叶えたい 夢もあった
変わりたい 自分もいた
今はただ なつかしい
あの人を 思い出す
誰かの歌が 聞こえる
誰かを 励ましてる
誰かの 笑顔が見える
悲しみの 向こう側に
(*)
花は 花は 花は咲く
いつか 生まれる 君に
花は 花は 花は咲く
私は 何を 残しただろう
夜空の 向こうの 朝の気配に
私は なつかしい
あの日々を 思い出す
傷ついて 傷つけて
報われず 泣いたりして
今はただ 愛おしい
あの人を 思い出す
誰かの 想いが見える
誰かと 結ばれている
誰かの 未来が見える
悲しみの 向こう側に
(*) × 2
花は 花は 花は咲く
いつか 生まれる君に
花は 花は 花は咲く
いつか 恋する 君のために
https://lyricstranslate.com

Hana wa Saku (花は咲く)

真っ白な 雪道に 春風薫る
わたしは なつかしい
あの街を 思い出す
叶えたい 夢もあった
変わりたい 自分もいた
今はただ なつかしい
あの人を 思い出す
誰かの歌が 聞こえる
誰かを 励ましてる
誰かの 笑顔が見える
悲しみの 向こう側に
(*)
花は 花は 花は咲く
いつか 生まれる 君に
花は 花は 花は咲く
私は 何を 残しただろう
夜空の 向こうの 朝の気配に
私は なつかしい
あの日々を 思い出す
傷ついて 傷つけて
報われず 泣いたりして
今はただ 愛おしい
あの人を 思い出す
誰かの 想いが見える
誰かと 結ばれている
誰かの 未来が見える
悲しみの 向こう側に
(*) × 2
花は 花は 花は咲く
いつか 生まれる君に
花は 花は 花は咲く
いつか 恋する 君のために
https://lyricstranslate.com

OEK, Nobu, Patrick Hahn & Lucienne tour Japan -- July 2019

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Starting July 17 2019, Nobu will be on a Japan tour with the Orchestra Ensemble Kanazawa (OEK).  He will be joined by two fellow Harrison Parrott artists: Austrian conductor Patrick Hahn (born  1995, age 24) and  French Trumpeter Lucienne Renaudin Vary (born 1999, age 20).
This page collects news, comments, photos as the tour unfolds, and will be updated throughout its duration.  Please bookmark this page and check back for updates.
Image below:  Tour home page by Avex Classics
 
The tour will travel to 8 cities in 9 performances: 
  1. July 17 19:00  Gifu Takayama Citizen Culture Hall (1,280 seats)Program A
  2.  July 18 19:00 Kanazawa Ishikawa prefectural concert hall (1,560 seats) Program A
  3. July 19 Friday 19:00 Tokyo Suntory Hall (2,000 seats)-- Program A
  4. July 21 Sunday 15:00 Nagano Karuizawa Ohga Hall (800 seats)-- Program A
  5. July 22 Monday 14:00 Tokyo Opera City Concert Hall (1,932 seats)-- Program B
  6. July 24 Wednesday 18:30 Akita City Cultural Center big hall, (1,188 seats)  -- Program B
  7. July 25 Thursday 19:00 Tokyo Electron Hall, Miyagi (2,030 seats) -- Program B
  8. July 27 15:00 Saturday Morioka Citizens 'Cultural Hall Osaka Hall, Iwate (1,510 seats) -- Program B
  9. July 28 14:00 Sunday Link Station Hall, Aomori (2,031 seats)-- Program B
There are two performance programs:
Program A
Bartok: Divertiment Sz. 113
Shostakovich's Piano [and Trumpet] Concerto No. 1
[Piano: Nobuyuki Tsuji / Trumpet:   Lucienne]
Tchaikovsky: Strings Serenade C Major Op.48
Program B

Tchaikovsky: Strings Serenade C Major Op.48
Haydn: Concerto for Trumpet Concerto in E major, Hob.VIIe: 1
Mozart: Piano Concerto No. 27, K.595
[Piano: Mr. Nobuyuki Tsujii ]
***
As of July 7: 6 of the 9 performances that have been declared sold out, (including all 4 Program A concerts).
This will be Nobu's first co-performance with the two European prodigy musicians, as well as his first performance of  the Shostakovich Concerto No. 1
***
RELATED ARTICLES

***

NHK World July 12 2019 documentary: Fumi & Nobu at Miyazaki Festival

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On July 11 2019, it suddenly came to my notice that NHK WORLD-JAPAN​ is streaming footage from the 24th Miyazaki International Music Festival - including performances of Nobuyuki Tsujii & Fumiak Miura, at https://www3.nhk.or.jp/nhkworld/en/special/episode/201907130030/
This show was previously aired in Japan on a local station, and few people saw it.  The  NHK World show streamed is a special gift to those of us who are not Japanese speakers -- the narration is in English as are the subtitles (available in 6 other language.)
On the excellently formatted NHK World page , where the show can be watched at the click of a button,  the airing times (4 times) are automatically show in your local time, and there is a count-down counter to the next airing (11 hour 41 minutes when I took the screen grab below.)
For example, for me (in California, Pacific Daylight Savings Time, the show times are
Friday, July 12 8:30/ 14:30/ 20:10
Saturday, July 13 2:10
According to the Nobuyuki Tsujii Official Website - the show times in Japan are 7月13日(土)Saturday July 13 0:30/ 6:30/ 12:10/ 18:10(日本時間)


July 12 First showing is over --
The first streaming on NHK WORLD-JAPAN of a documentary about Nobu & pal Fumiaki Miura is just over!
This is a typically excellent NHK show, 30 minutes long and in English.
The focus is on Fumi but Nobu has a big part and there are some interesting topics.
Below is a quick clip.
What  a privilege it is to get to see a Nobu documentary in excellent English narration and subtitles!  Thank you, NHK World!  For the benefit of those who cannot see, I made a transcript of some of the subtitles, below.

Scene of Fumi coming to Nobu's dressing room before rehearsal.  Fumi:  "We've spent a lot of time together.  It's always fun.  We eat, drink, sometimes do karaoke.  I think of us as being good friends."   Nobu: "We are fellow musicians and private friends too.  We've been naturally synced from the very start.  The more we have done, the more we've wanted to do.  Rehearsals and performances are completely different.  He might play a certain way.  And I might respond in my own way.  There's a give and take in our sound."
Image below: Screen grab -- Nobu looking suave as he says, "He might play a certain way. And I might respond in my own way.  There's a give and take in our sound."



Scene of group rehearsal, Fumi announces that they are playing the Schumann.  Fumi wants to re-do the 3rd mvt, because the group were not quite in sync, and says perhaps he will take a breath to signal.  In the show they play that part twice to show what happens next.  We can't really see/hear Fumi's breathing, but the synchronization seems to work.
They show the duo rehearsing Brahm's sonata,.  Fumi: "We don't talk at all.  No need.  He has amazing antennae, I guess.  I don't know how he feels it.  It's like it's in the air. He feels it intuitively."  Then, "Shall we call it a day.  You're tired, right?"  And they never rehearses the Franck's.  The narrator says Fumi seems to be able to sense Nobu's mood by his sounds.  "The Franck is okay.""It's ready." Nobu: "Yeah". Fumi: "Let's go then," and leads Nobu backstage.  The narrator says "They practiced only once.  They never rehearsed the Franck sonata at all."

Scene of the group dining at a restaurant after rehearsal.  Everybody raises a mug.  Nobu - big smile: "Beer tastes especially good after a rehearsal.  It's fun to drink with friends. I love it!"  Narrator: "Did you hear Fumi's breathing as signal?"  Nobu: "I could hear it.  That's how I do it. With orchestra conductors, too, that's what I depend on.  Since I can't see, an audible signal helps me come in.  Music has an invisible component.  It transcends the language barrier.  That's what I really love.  We can converse through music."

They show them on stage performing the Franck  Nobu: "This was the first major piece that we tried together.  It brings back memories.  I love the interplay between the piano and the violin.   Our parts are equal."  Fumi: "It's easy to understand the interplay.  It's so much fun when I first played it with Tsujii.  We challenged each other as we perform.    Franck makes it easy to have a musical conversation."

The performance was a great success, and Fumi leads Nobu backstage, to great cheers.  When asked how he feels, Nobu says, as Fumi looks on with folded arms: "On top of the world!  That was fun."  Fumi: "I hadn't done a duet for a while.  Not since October when we played."  Fumi: 'But when we are together, it feelss like no time has passed."  Fumi: "It's rare to feel like we can talk with musical sound.  Live performance gives birth to something.  That's how I felt today. I feel the two of us really have something special."
***
RELATED ARTICLES:
2019 Miyazaki Festival

OEKfan review of 7.18.19 Hahn-Nobu-Lucienne concert

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The following is review of a performance by OEK, Nobuyuki Tsujii, Patrick Hahn & Lucienne tour on  July 17-28 2019 by blogger 'OEKfan', a long-time supporter of the Orchestra Ensemble Kanazawa who might well have attended everyone of the orchestra's performances.

The original posting appears at http://oekfan.air-nifty.com/news/2019/07/post-c4e5c0.html
Below is a rough English translation.

2019/07/18

Patrick Hahn Conducted regular OEK concert in a symmetrical unique program with a focus on string ensembles. Schostakovich's piano concerto No.1 with Nobuyuki Tsujii & Lucienne is not only a beauty, it is a wonderful performance that you can feel the vividness of it. #oekjp

Today, I heard the Philharmonic regular performance that concludes the 2018/2019 season of the Orchestra Ensemble Kanazawa (OEK) at the Ishikawa Prefectural Music Hall Concert Hall. Conducted by Patrick Hahn, who appeared in regular performances for the first time; piano soloist Nobuyuki Tsjuii, and trumpet soloist, Lucienne Renaudin Vary.

Young performers have appeared one after another in regular OEK performances since June, but Mr. Hahn is only 24 years old. As a conductor who appears in regular performances, he is exceptionally young. Lucienne-san is I believe still a teenager. Mr. Tsujii was among the first young artists that co-starred with the OEK. The collaboration of these three people was really great. Mr. Tsujii is very popular, and the hall was packed. (I felt that there was less reverberation in the hall than usual.) The end of the season was very exciting.

The program consisted of three works: first and last were Bartok's Divertiment and Tchaikovsky: Strings, with Shostakovich's Piano Concerto No. 1 between them. Shostakovich's work is also for string orchestra, where piano and trumpet are added.

For every work, there was a sense of security in Hahn's commanding. It was a feeling of skilled conducting. The openings of both the Baltok and Tchaikovsky can be played in an exaggerated manner, but both works began with a good subdued feeling. On the other hand, the changes in fine nuances is attached very carefully, and it feels like the wonderfulness of the craftsmanship one sees in a high-class kimono.   It was possible to appreciate each work with eyes closed . I thought that the full sound in Bartok's second movement was particularly wonderful.

Tchaikovsky always had a driving force in the music itself, and it started with a calm atmosphere, and there was the comfort that the music progressed smoothly and neatly. In contrast, the beauty of the third movement, full of sober beauty, was also impressive. It was also impressive how to sing a little stylish feeling in the waltz in the second movement  Mr. Hahn did not make and tighten oversized parts like the last part of the movement, but rather he avoided tightening it. I felt the freshness of a conductor in his early twenties  here.

And the concerto was a great performance. Shostakovich's piano concerto No. 1 has been played many times in the past by OEK, but I think this was a particularly wonderful performance.  First of all, the first part of the first movement, the deep sound of Mr. Tsujii's piano was wonderful. After that, it change musically, but I thought that the entire work had a sense of stability because there was a powerful atmosphere in this first part. As for Shostakovich's music, I feel as always that it is somewhat distorted, but there is also a part that makes me feel that it draws from the tradition of the Russian piano concerto, through the candid performance of Mr. Tsujii.

The sound of Mr. Lucienne's trumpet, which is related to Mr. Tsujii's piano, was also wonderful. It was a very soft sound, with a solid presence, but it blends perfectly with the piano and orchestra. I thought that I had never heard the sound of a trumpet that was so well controlled.

In the slow movement, I was able to enjoy the beauty of the touch of Ms. Tsujii, as usual. I thought that the music had more depth than that of Ravel's piano concerto, which he previously performed  with the OEK. He gave us the sound that is perfect for the cool feeling of Shostakovich's music.

The 4th movement is a music that conveys Shostakovich's unique sarcasm and humor, and in a deliberately sloppy mood, but Mr. Tsujii's piano is just so vivid, and it feels relaxed even as the tempo rises. Lucienne seemed playing with ease together with the piano, and together they gave us an exceptionally cool performance. It was an attractive Shostakovich performance by a young generation.

In Encore, Gershwin's Prelude No. 1 (originally a piano solo) was played as duet by Tsujii and Lucienne.In this piece, Lucienne played with a very relaxed sound, and Tsujii supported the bass firmly.

After the performance, Lucienne took Tsujii by the hand and moved back and forth between the stage and the wings. No words were spoken but there were smiles all around. With the same program as today, OEK will do a domestic tour, and I hope that it will be enjoyed by many people.
So, this season's OEK regular performances ended with a feast of three talented young people. In August, OEK's performances take a break,  but I would like to expect a variety of performances in which young and veteran are well combined, in the new season after September.
---
RELATED ARTICLE
OEK, Nobu, Patrick Hahn & Lucienne tour Japan -- July 17-28 2019

Tokyo Tchaikovsky Festival 2019

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Globe trotting conductor Valery Gergiev has boundless energy, and it is that Nobu appreciates his patronage.  Since 2013, he has invited Nobu to perform with him every year, in Russia, Japan and Europe.  Most recently, in May of this year, they performed at the 2019 White Nights Festival St. Petersburg

This December in Japan, Mo. Valery will hold a Tchaikovsky Festival, which features Japanese and Russian soloists, including Nobu and violinist Ryu Goto.


On August 1 a press conference was held.
https://www.japanarts.co.jp/news/news.php?id=4206
"Mariinsky Opera Conductor Valery Gergiev Press Conference" took place on August 1st, 2019 (Thu) in Tokyo, and many journalists and people who have long been supporting Gergiev came Thank you. After a greeting from our president, Valery Gergiev, general director of the Mariinsky Theater Art, talked about the work to be presented this winter:
20th December 20th (Fri) 19:00 Tokyo Bunka Kaikan (Violin: Ryu Goto)
December 7th (Sat) 2019 Tokyo 13th Tokyo Culture (Piano: Sergei Babayan, Nobuyuki Tsujii)
December 2019 7 days (Sat) 18:00 Tokyo Bunka Kaikan (piano: Sergei Babayan)

@mariinsky_opera tweeted
【ワレリー・ゲルギエフ マリインスキー歌劇場記者会見⑦】オーケストラプログラムでは、友である辻井伸行をソリストに迎えます。演奏機会の少ない作品も含めた、チャイコフスキーの30年間に亘る作品を演奏します。網羅するということに意義があると思っています。
#mariinsky2019
[Valery Gergiev Mariinsky Opera Press Press Conference 7] In the orchestra program, we invited our friend Nobuyuki Tsujii as a soloist. We will play Tchaikovsky's works of 30 years, including works with few performance opportunities. I think that it makes sense to cover them.
# mariinsky 2019
Photo source: ranranentame

Nobuyuki Tsujii y el piano de Rachmaninov

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Late last month, while I was traveling, word came that there will be a performance of Nobu in the Canary Islands (plural, not singular as I originally and mistakenly posted), next April.
https://www.ofgrancanaria.com/en/) ofgrancanaria.com/en/
https://bachtrack.com/concert-listing/auditorio-alfredo-kraus/nobuyuki-tsujii-y-el-piano-de-rachmaninov/24-april-2020/20-00

I had heard of the Canary Islands, but -- pardon my ignorance -- knew little about it. According to Wikipedia:
"The Canary Islands are a Spanish archipelago and the southernmost autonomous community of Spain located in the Atlantic Ocean, 100 kilometres (62 miles) west of Morocco at the closest point." It comprises seven main islands. "The archipelago's beaches, climate and important natural attractions make it a major tourist destination with over 12 million visitors per year ... The islands have a subtropical climate, with long hot summers and moderately warm winters."
Sounds like the Hawaii Islands for Europeans!
Image below: El Duque beach in Tenerife of the Canary Islands - https://www.telegraph.co.uk/
Methinks we are going to see a travel documentary of Nobu in these islands.

This would mark Nobu's debut in Spain.   
The concert will take place in a spectacular venue: the picturesque Auditorio Alfredo Kraus (more on that below). Nobu will perform Rach 2 with Orqesta Filarmónica de Gran Canaria (The Grand  Canary Philharmonic) & Conductor Karel Mark Chichon on Friday 24 April 2020 at 20:00

Here is part of the biography of Maestro Karel Mark Chichon (pictured below)

British conductor Karel Mark Chichon continues to thrill international audiences with his temperament, passion and musicianship. In recognition to his services to music, Her Majesty Queen Elizabeth II of England made Chichon an Officer of the Most Excellent Order of the British Empire (OBE) in June 2012. In 2016 he was elected a Fellow of the Royal Academy of Music in recognition of his achievements within the profession.
Born in London in 1971, Chichon hails from Gibraltar. He studied at the Royal Academy of Music (London) and was assistant conductor to Giuseppe Sinopoli and Valery Gergiev...
From 2011 to 2017 he was Chief Conductor of the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern ... In May 2017 he was appointed Chief Conductor and Artistic Director of the Orquesta Filarmónica de Gran Canaria.

The Orchestra is described as follows:
https://www.ofgrancanaria.com/en/orquesta/orquesta-filarmonica-de-gran-canaria-ofgc

[Translated from Spanish ]
After a long and continuous period of symphonic activity that dates back to 1845, the Orquesta Filarmónica de Gran Canaria (OFGC) was formed under the auspices of the public foundation of the same name. This foundation was created in 1980 by the Cabildo de Gran Canaria (Gran Canaria Island Government).
The OFGC has played with some of the foremost conductors, among them Mstislav Rostropovich, Antoni Wit, John Nelson, Trevor Pinnock, Thomas Hengelbrock, Pinchas Steinberg, Rudolf Barshai, Raymond Leppard, Leopold Hager, Jesús López Cobos, Christopher Hogwood, Rafael Frühbeck de Burgos, Frans Brüggen, Bernhard Klee, Antoni Ros Marbà, Ralf Weikert, Sebastian Lang-Lessing, Andrew Gourlay, Iván Martín, Adrian Leaper (Principal Conductor from 1994 to 2001-2002) and Pedro Halffter (Artistic Director and Principal Conductor from 2004 to 2016).
Singers such as Alfredo Kraus, Plácido Domingo, José Carreras, Montserrat Caballé, Felicity Lott, Matthias Goerne, Anne Sofie von Otter, René Pape, Petra Lang, Monica Groop, Cristina Gallardo-Dômas, Roman Trekel and Nancy Fabiola-Herrera, and instrumentalists such as Mstislav Rostropovich, Mischa Maisky, Alicia de Larrocha, Joaquín Achúcarro, Gérard Caussé, Dezsö Ránki, Maria João Pires, Fazil Say, Eldar Nebolsin, Iván Martín, Daniel Müller-Schott, Isabelle van Keulen, Katia y Marielle Labèque, Nikolai Lugansky, Sabine Meyer, Frank Peter Zimmermann, Janine Jansen, Steven Isserlis and Cécile Ousset have performed with the OFGC...

The concert veneu is something special, according to Spanish wikipedia
[Translated from Spanish]
The Auditorio Alfredo Kraus is an auditorium of Spain located in Las Palmas de Gran Canaria (island of Gran Canaria , Canary Islands ),  one of the most unique buildings in the capital of Gran Canaria. Created by Óscar Tusquets, it was built between 1993 and 1997 with the idea of ​​erecting a lighthouse that would protect Las Canteras beach .
In its main hall, behind the orchestra a huge window opens that allows the view of the Atlantic while attending a concert..." [Photo below]
The auditorium seats 1,656 persons
Image source: http://www.gobiernodecanarias.org/


I would love to see Nobu on the piano with that blue ocean in the background. Unfortunately, the concert takes place in the evening when the ocean would be shrouded in darkness.   But perhaps if we are lucky, we will be treated to such a sight at a rehearsal!
Stay tuned.

***
LINKS
https://www.facebook.com/ofgrancanaria/
https://www.facebook.com/AuditorioAlfredoKraus/

Nobuyuki Tsujii: "The first time in Saipan"

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Early today, a photo was posted to the Instagram account of Mrs. Itsuko Tsujii, mother of Nobuyuki Tsujii.  The message says: "25年前の夏…初めてのサイパン"  [Summer 25 years ago ... The first time in Saipan.]

The photo (shown below) is embedded in the hollow of a straw hat that is presumably a souvenir from Saipan (a U.S. territory with a large Japanese population and cultural influence).  It shows a very young Nobu (at age 5), seated in what looks to be a hotel bus (a sign in the photo says 'hotel nikko saipan'), with mother Itusko.  She is fashionably groomed, in long hair, summer dress and sandals on heels.  Nobu, his hair in bowl cut and one little hand resting on his mother's (the other hand gripping the edge of the seat), is in white tee shirt, white shorts and sneakers.

The story of Nobu and his family's first sojourn to Saipan is well known to Nobu fans in Japan.
It is mentioned in Peter Rosen's documentary of Nobu, "Touching the Sound", with a brief footage.  In interviews, Nobu mentions this experience often.

In a 2014 interview of Nobu by New York's "Weekly Biz", this is written.
Q: Please tell me how you became a pianist.
Tsujii: I have loved playing in front of peoplesince I wassmall.  When I was five year old, our family was vacationing in Saipan when I heard the sound of a player piano in a shopping mall.
I wanted to play on the piano, and a store clerk turned off the automatic feature and allowed me to play.  After I finished, I heard
"Bravo"and people gave me hugsI was so glad that I thought this is what I would like to do in the future, and I wanted to be a pianist if there was an opportunity.

Below is a photo of that performance, from a book "今日の風、なに色? [What Color is the Wind Today?]" co-authored by Mrs. Tsujii, about the upbringing of Nobu.  Nobu -- in straw hat, tee-shirt, Bermuda plaid shorts, sneakers -- is seated at the aforementioned  player piano, his little feet dangling in the air.  Mother Itsuko, a huge straw hat obscuring her face, is seated with little Nobu on the bench, with one of her heeled shoes on the pedal!  People (presumably Saipan locals) are seen standing near the piano and in the background, watching. 

In another 2014 interview of Nobu, posted online by the Knowledge Network:
Q: How do you feel when you are sitting on a world-famous stage, playing the piano for thousands of people?
A: My family took me to Saipan Island when I was 5 years old, and I had a chance to play piano at the shopping mall. I played it just for my fun, and at the end, I met applause and cheers from good number of people who stopped by me and were listening to my piano playing. Some people came to me and gave me a hug, saying bravo, etc. At that moment, I found my audience, and I understood that I was able to communicate with people on keyboard, even without a word. Since then, it is always my pleasure to go to stage and play music to the audience.
It is a big honor for me to play on a prestigious stage and to big number of people, but it doesn't affect me. I just wish to be sincere to the music that I play, and try best to give them my best performance...

In other renditions of the story, it is said that the family was in the shopping mall when Nobu heard the player piano playing by itself.  He asked to play the piano and was told it is an automatic piano that cannot be played.  Nobu brawled and cried. The parents tried to drag him away.   A kind-hearted store clerk heard his whining, took pity and told the family he would switch off the auto mode to allow Nobu play on it.
As I recall, Nobu said he played Ballade pour Adeline by Richard Clayderman (French pianist), which was extremely popular worldwide at the time (and still so to this day in Japan.)

Framing a photo like that in a straw hat -- that's the sort of thing that a loving mother does.  Mrs. Tsujii has every right to be proud of his son, and she deserves every credit for his success.

Thank you for sharing the photo and the story with us, Mrs. Tsujii! 

Still sore after all these years ...

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Looking for Nobuyuki Tsujii news on Google a couple days ago, I came upon a posting by Scott Cantrell, former music critic for the Dallas Morning News, Texas, U.S.A.  (Dallas Morning News is one of the many newspapers in the U.S. that have let go of their classical music critics.)

Image below: Nobu holding the front-pages of two Texas papers the day after his 2009 Cliburn win.
(ADDENDUM: According to Twitter sunsoon - this great photo came from a close friend of the Tsujii family.  I hope they don't mind the photo appearing here.  Sorry for the rudeness.)


The posting (dated August 6 2019) is a free-lance piece about performances at a music festival in Santa Fe, which has nothing to do with Nobu.  But in lavishing his praise for a recital by pianist Hoachen Zhang,  Mr. Cantrell saw fit to write this:
"The Chinese-born Zhang was one of two gold medalists in the 2009 Cliburn, along with the blind Japanese pianist Nobuyuki Tsujii. Tsujii's accomplishment of learning major repertory by ear, and playing with authority, was nothing short of miraculous. But there was something very different, and quite special, in Zhang's playing, an introspective subtlety doubly remarkable in a mere 19-year-old."

I was going to overlook that underhanded mentioning of Nobu, but it has been eating at me.  
Here is the deal.
Mr. Cantrell, you see, was (and apparently still is) a critic of strong convictions. Ten years ago, he made no secret that he was not happy about Nobu's win at the Cliburn Competition, of which he wrote:
“If all the contestants had performed behind a scrim, if no one had known anything about them, if they had been judged purely on musical values, I honestly believe some other pianists would have advanced ahead of Tsujii.”

Judging from what he wrote in the recent posting, he is still sore after all these years.
There is no earthly reason whatsoever for Mr. Cantrell to bring up Nobu in a piece about Mr. Zhang nowadays, who just happened to be in the same competition and named a co-medalist ... a  whole decade ago!  It seems time has not softened his take that Nobu was awarded the medal only because of his blindness, while Mr. Zhang is the real thing.

He is entitled to his opinion, of course.  This is just a suspicion, but could it be that Mr. Cantrell harbors a resentment towards Tsujii because -- the "learned" critic's  assessment notwithstanding -- Nobu's career has risen brighter than his co-medalist?  And why should that matter at all?   TEN YEARS have passed, for heaven's sake.  The paths of these two piano virtuosos have long parted, and each now is pursuing his own career on his own merit, which by now has little to do with the competition.

If comparisons are to be made of careers, perhaps it might be more appropriate for Mr. Cantrell to look to two compatriots of Mr. Zhang:  Mr. Lang Lang and Ms. Yuja Wang.  They are close in age.  All three hailed from Mainland China, and all three enrolled at the Curtis Institute of Philadelphia under the tutelege of Mr. Gary Gruffman.   

This year, Nobu has been celebrating the 10th anniversary of his Cliburn win with a concert tour in Japan and the release of a commemorative disc set.  I cannot recall a single mentioning of Mr. Zhang that has come up during the celebration. 

RELATED ARTICLES
Nobuyuki Tsujii's Cliburn Competition Win -- 10 Years Later
"Cliburn Competition Awards Two Gold Medals" 2009 NPR Report 
Nobuyuki Tsujii's Cliburn Competition 10 Year Anniversary Concerts 
Nobuyuk Tsujii Cliburn Competition 10 Year Anniversary Album


@DMNSCantrell
@dallasnews 
@dallasMorningNews 

Elbphilharmonie dreaming ...

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Back in June, I waged a hard-fought midnight battle and scored tickets to Nobuyuki Tsujii's SOLD OUT  concerts with Kent Nagano & the Hamburg Phil in Hamburg, Germany this October, 

It took a while, but the tickets arrived in July, by international mail!
Image below: one of the tickets is in the foreground; the envelope is in the background

If all goes well, I will be seated in the Elbphilharmonie for the concerts on October 27 & 28.  My seats will be in the section in the foreground of this photo, which appears in a 2017 Washington Post article, where some people can be seen in the seats.

I am of course looking forward to seeing Nobu in performance (Liszt's Piano Concerto No. 1! -- and what will he play for encore?)  But reading up on the concert hall, I can't help but feel a rising sense of anxiety.

Take a look at this photo, below, of the Elbphilharmonie.  The concert halls are housed in a glass-paneled structure, which sits on top of a pre-existing 1960s-era brick warehouse.  "The building has 26 floors with the first eight floors within the brick façade. It reaches its highest point with 108 meters (354 feet) at the western side... A curved escalator [80 meters, 262 foot long] from the main entrance at the east side connects the ground floor with an observation deck, the Plaza, at the 8th floor, the top of the brick section.' -- wikipedia.


To a Californian, brick buildings scream UNSAFE during earthquakes. So, okay, I will accept that Hamburg has no history of earth tremors.  But the idea of taking an endless escalator that climbs to a height of 21.43 meters (70 feet) is vertigo-inducing, not to mention sitting in a concert hall perched on top of that height!
Image below: The arched escalator in the ElbPhilharmonie.

Aarrgghh!
I will have to toughen myself  mentally in preparation for this adventure.


Furthermore, the Washington Post article says: "The sound in the hall was so accurate that if you closed your eyes, you could point to exactly the spot where the timpani player was gently thumping his drums." It is widely reported that you can hear every sneeze and every cough.
I pray for a clear throat at the concerts.

Give me strength, Tsujii-san!
Related articles
Midnight battle for Hamburg tickets (June 2019)
Nobuyuki Tsujii plays Liszt's Piano Concerto No. 1
Nobuyuki Tsujii, Kent Nagano & Hamburg Phil -- 2019

"Nobuyuki Tsujii in Switzerland 2014" videos

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In April/May 2014, Nobuyuki Tsujii held concerts in Switzerland (Baden, Basel) and Germany (Stuttgart, Dusseldorf).  He was followed by a TV crew, and people in Japan were treated to an excellent documentary Nobuyuki Tsujii × Swiss Journey that aired not long after (on June 28 2014).  The show was one of many in an ongoing series aired in Japan about Nobu's world travels.
Still photo 1: Nobuyuki Tsujii in Lauterbrunnen near the Staubbachfall waterfall, famous for where German poet Goethe wrote his works.

Still photo 2: A lady Swiss guide shows Nobu the famous clockworks of Switzerland.

Still photo 3: Nobu running his hands over a stone memorial for Johannes Brahms.


Fast forward to now, mid-August 2019.
It will be another week or so before Nobu is back in action.
To while away the lull, I dug up the footage of that documentary from my video library.  Sadly, the video quality is not the best, but there is a lot to enjoy, and so I decided to extract some of the footage and share with other Nobu fans.

Part 1: Nobu at a recital to celebrate the 150th anniversary of diplomatic relationship between Japan and Switzerland.  Footage shows him playing Liszt's "Liebestraum" and "La Campanella."  According to Nobu's concert report: "The program I played was a Chopin & Liszt program.
The encore was Chopin: Nocturne No. 8, self-made “Still We Live”, and finally an improvised performance in the Yodel style."


Part 2: At a Swiss pub, Nobu is invited on stage to try out yodeling and the Alphorn.
Defeated by the unfamiliar instrument, Nobu redeems himself on the piano.
Watch the reaction of the Swiss crowd, who had no idea who Nobu is.

Chie Minato, a Japanese speaker added this amusing comment :-) on YouTube:
"Wow. As the narrator says here 'Nobu's clapping got softer and softer as the other guests managed to play the alphorn while Nobu hadn't been able to do it very well. Yes, he is not the type to accept defeat that easily. AND...then he played the piano and totally grabbed the people's attention there !' Way to go, Nobu !!"
Not understanding spoken Japanese, I had a feeling of that just from watching the footage. But it's great fun to know what's said.

It was actually rather mean to make Nobu go up for the Alphorn first, without any instruction (obviously there is some special technique involved).
But all in good fun, and it's wonderful to see Nobu redeem his self-esteem and bring the house down on the piano. ^_^
This is one of my favorite scenes from all of those excellent Nobu travelogues.
It shows the fun-loving side of Nobu, and his guilelessness.

This YouTube comment made my day:
Nobuyuki Tsujii is so special, so much love in this video. I'm Swiss and I want to apoplogize for the incredible noise that people make :) But they really love him. Such a special video !
I was hoping that the video would be seen by some Swiss!  And, besides, I believe some of those whooping it up were Amerian/British/Australian anyway.
I believe Nobu really enjoyed the experience.  He loves to interact with the locals when he travel, and this is the best footage of that that I have seen.
As  Minato-san put it in another comment: There is only one word for Nobu's performances -- brilliant!  Truly.  He was able to bring the house down in both performances: a recital for an august audience of diplomats in Bonn (part 1) and playing honkytonk piano in a beer joint (part 2).
True genius!

Part 3: Nobu  in Baden -- doing the town; recital at the "Print Shop"
Here is what Nobu's concert report says:
[Translated from Japanese]
May 3 2014  (Switzerland)
Baden
Baden means "the bath" or "hot spring", which sprung up in the mountains, similar to in Hakone [Japan].
The concert venue Druckerei is a converted space in the basement of the building of a newspaper,which used to house a printing press.
It is a space of live house style.
I heard there were about 250 seats, but standing room and auxiliary seats were also put out, it seemed likely that there were more than 300 people.  Audience reaction was very passionate; I played four pieces for encores.
Chopin: Nocturne No. 8
My own: Still, we live on
My own: yodel-like improvisation
Chopin: Revolution

♪ TO BE CONTINUED

RELATED ARTICLES
Concerts in Switzerland (Baden, Basel) and Germany (Stuttgart, Dusseldorf), May 2014
Nobuyuki Tsujii × Swiss Journey - June 28 Fuji TV Special
Photos from "Nobuyuki Tsujii × Swiss Journey" - June 28 Fuji TV Special
Nobuyuki Tsujii × Swiss Journey comments

Nobuyuki Tsujii: 2020 recital program

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This just shows up on the PIA ticket outlet site: A recital at the Kitara Hall of Hokkaido on March 1 2020.

CHOPIN's 4 ballades are mentioned and I suspect the program is the same as for his upcoming recitals in Europe/U.K., and if so, these are on the repertoire:

Schubert Impromptus op.90,
Scriabin sonata no. 5 op. 53,
Chopin 4 ballades
CHOPIN's 4 ballades are mentioned and I suspect the program is the same as for his upcoming recitals in Europe/U.K. . If  so, these are on the repertoire:
Schubert Impromptus op.90,
Scriabin sonata no. 5 op. 53,
Chopin 4 ballades
Nobu will be giving a concert at this very venue next week (August 27, Cliburn Competition 10th Anniversary Concerts ), and I bet there will be flyers handed out about this recital. Stay tuned.


Related Articles
Nobu's Upcoming Concerts
Nobuyuki Tsujii at the Théâtre des Champs-Elysées in Paris, 2020  

Miyazaki Festival on NHK-Premium TV, August 30

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Word just came that NHK BS (Premium) TV will air on August 30 a documentary of the Miyazaki International Music Festival that took place in May.  We have already seen some footage of that festival when NHK World aired a short segment, with English subtitles, back in July (see NHK World July 12 2019 documentary: Fumi & Nobu at Miyazaki Festival).
This new broadcast is for the Japanese audience -- I suspect to drum up interest in the upcoming duo performances of Nobu & Fumiaki Miura, including the Ark Classics Concerts at Suntory Hall this October.


Yura's tweet
NHKBSプレミアム❗️
30日金曜15:31~16:30
《音で語らう》
🎹辻井伸行×🎻三浦文彰
🌟宮崎で行われた二人のデュオリサイタルの舞台裏に密着!
🎼フランク
『ヴァイオリン・ソナタ』
And,
a detailed program description posted by NHK
[Translated from Japanese]
Channel [BS Premium]
August 30, 2019 (Friday) 3:31 pm-4:30 pm (59 minutes)
Genre Music> Classical Opera
News / Press> Special Features / Documents
Program content Violinist Fumiaki Miura (26) and pianist NobuyukiTsujii (30) are in close contact for their duo recital in Miyazaki.
The classic world, young stars "talking about sound".
Performers  [Appearance] Fumiaki Miura, Nobuyuki Tsujii, & others
Narrator: Mao Inoue
Schumann:"Piano Quintet in E-flat major, work 44 (excerpt)"
(2 minutes 14 seconds)
Franck:"Violin Sonata in A major" (26 minutes 32 seconds)
Takayuki Hattori: "The main theme of the Taiga drama" Sanada maru "(2 minutes 29 seconds)
Details : Fumiaki Miura (26), a violinist highly acclaimed by
world-renowned musicians, and Nobuyuki Tsujii (30), an
internationally active pianist. We follow them  backstage at two duo
recitals held in Miyazaki. There was an amazing musical conversation
where you could them interacting with each other in sound, without exchanging words.
Classic world, young stars who triumphed in competitions. A violin sonata  by
Franck will be delivered uncut. The narrator is actressMao Inoue. 
Here is a page in Japanese that has part of the description above: https://bangumi.org/si/-1?si_type=1&event_id=16134&program_date=20190830&service_id=103

RELATED ARTICLES
NHK World July 12 2019 documentary: Fumi & Nobu at Miyazaki Festival
2019 Miyazaki Festival




Nobuyuki Tsujii's Cliburn Competition 10 Year Anniversary Concerts, August 2019

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This past June (2019) marked the 10th anniversary of the victory of Nobuyuki Tsujii at the Van Cliburn International Piano Competition.  To commemorate the occasion,  Avex Classic has been hosting special Cliburn Competition 10th Anniversary Concerts in Japan.  Three sold-out performances took place in June (Tokyo, Fukuoka); news etc. of those concerts are available at this page Nobuyuki Tsujii's Cliburn Competition 10 Year Anniversary Concerts, June 2019
Image below: Nobu with some of his friends and supporting performers In June. (Image source: Instagram by Mrs. Itsuko Tsujii)

Image below: Nobu with Conductor Neil Thomson at Suntory Hall; source: Instagram by Mo.  Thomson


It is now the end of August, and the two remaining concerts will take place next week.  Both have  sold out for months.  These concerts take place in top venues in Japan that seat 2,000.  Nobu will be joined by Conductor Neil Thomson and co-performers Fumiaki Miura(violin)  Tamaki Kawakubo(violin), Yoshiko Kawamoto (viola), Kaeko Mukoyama (cello). 
■ Performance program
1st stage: Piano Solo
· Beethoven: Piano · Sonata No. 23 "Appassionata"
2nd stage: Chamber Music
· Schumann: Piano Quintet
3rd Stage: Concerto
· Chopin: Piano Concerto No. 1

August 27 (Tuesday) 19:00 HokkaidoSapporo Kitara Concert Hall (2,008 seats), with the venue's home orchestra Sapporo Symphony Orchestra
Orchestra posting


August 30  (Friday) 19:00 Osaka Symphony Hall (1,704 seats) with the Japan Century Symphony Orchestra

Please bookmark this page and check back for news, comments, photos, etc. as these performances unfold.

RELATED ARTICLES
Tour homepage  
Cliburn Competition 10th Anniversary Concerts
Nobuyuki Tsujii's Cliburn Competition 10 Year Anniversary Concerts, June 2019

Nobuyuki Tsujii in Armenia & Romania September 2019

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Next week marks the start of autumn, when classical music concerts are back in force.
Like many other world-class musicians, Nobuyuki Tsujii has a busy concert schedule ahead.
To start, he travels to the Black Sea region, where he will hold a recital in Armenia on September 6, followed by three concerts in Romania September 10-14, as part of 2019 George Enescu Festival.


This page collects photos, news and videos about those concerts, and will be updated as the events unfold.

Black-sea Concerts Schedule
*September 6 Friday 19:30 recital at the  Aram Khachaturian Concert Hall
September 10 20:00 Bucharest  Rach 2 with conductor Michael Sanderling & the Romanian Youth Orchestra at the Grand Palace Hall
September 12 recital  Sibiu Filarmonica de stat Sibiu, Sala Thalia,
September 14 recital  Cluj Univ.Babes-Bolyai, Sala Auditorium Maximum 
 The recital program is listed  as follows:
Debussy Deux Arabesques
Debussy “Images” Book I
Ravel Sonatine
Chopin 4 Ballades
Ballade no.1 in G minor op. 23
Ballade no. 2 in F major op. 38
Ballade no. 3 in A flat major op. 47
Ballade no. 4 in F minor op. 52

♪ August 26 Romania TV coverage for the George Enescu Festival
there will be TV coverage in Romania for  the 2019 George Enescu Festival, which "will take place between August 31 and September 22 ... with over 34 premieres of high caliber artists including Marion Cotillard, Kirill Petrenko, Mitsuko Uchida, René Jacobs, Diana Damrau, Joyce DiDonato, Rolando Villazón, Julia Fischer and Nobuyuki Tsujii, and nine of the most important orchestras of the world."
However, it is not clear if Nobu's performances will be in the broadcast lineup, so let's not get our hope up just yet.
***
August 26 Promotion video from Armenia
An instagram https://www.instagram.com/p/B1nxY4NAJlk/ by the Assembly of Armenia, just posted, has a nice jazzy clip promoting a lineup of exciting events coming up next month, including a recital by Nobu on September 6. We wish them great success!
More on Nobu's debut concert in Armenia 👉 the 2019 George Enescu Festival in Romania
***
♪ August 12 "He is active!"
Posted to instagram:
https://www.instagram.com/p/B1ERXIQgboJ/
#オペラ座 #エレバン #アルメニア #辻井伸行 #ポスター
The Opera pride of Armenia
辻井伸行リサイタルのポスター発見。9月6日にIntl. music fes. 、Aram Khachaturian Concert Hall で……活躍しています
#operatheatre #yerevan #armenia
"The Opera pride of Armenia. A poster for 辻井伸行Nobuyuki Tsujii recital was discovered. September 6th at Intl. Music fes. Aram Khachaturian Concert Hall ... he is active!"
With a photo of the exterior of the opera house, and a photo of the poster for Nobu's September 6 recital.
***
RELATED ARTICLES
To the Black Sea -- Nobuyuki Tsujii, Fall 2019 
The 2019 George Enescu Festival in Romania

"The only way to a meaningful life in music"

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An essayappears in a post, on August 23 2019, on the classical music blog "Slipped Disc" of U.K. journalist Norman Lebrecht.  It features words of wisdom penned by Brinton Smith, a cellist and music professor, on the eve of his retirement.
 
The piece was written for the writer's students, but any young musician will benefit from reading it. Young musician such as Nobuyuki Tsujii.

It has been a decade since Nobu came to my attention, inspiring me with his compelling story and unique musicality, and enriching my life immeasurably.

I hope Nobu will have a chance to read this insightful piece, or maybe a Japanese translation of it.  Nobu's blindness may shield him from the vanity that comes with sight, but not the corrosion of "fleeting fame" and "easy praises" mentioned in the essay.  Nobu has had good fortune so far in a business that has its share of "harsh and humiliating aspects."  With his down-to-earth personality and good support from family and mentors, Nobu has been on the right track.  I sincerely hope that he will find his way to a full and meaningful life in music so that, to paraphrase Maestro Smith, "music will mean more to him at 60 than it did at 16, and that he will know the joy of humility, love and service to the most profound art in our world."

Below is the text of the piece by Brinton Smith, as it appears on the Slipped Disc Post [with some corrections and annotations]

I have been almost as lucky as you can be in this business. I’ve had countless disappointments of course -- some deserved, some not. That is the nature of the business. But I have a good job, a happy reputation, a balance between solo, chamber, orchestral playing and teaching, the good fortune to be friends and colleagues with some of the musicians I admire most in the world, and the respect of some of the peers that I care the most about. I’ve had the chance to travel, play concerts, enjoy the camaraderie and live some of the enviable life. I haven’t had everything, but I’ve had as much as I could dare ask for a life in music. I have been very lucky, and you will be very fortunate if you are as lucky as I have been.

And I’m telling you that even if you get all that – even if you get all that and more… it isn’t enough. It will ultimately feel hollow. In the end, concerts are just concerts, victories are fleeting, fame is shallow, and easy praise dulls the senses. Dark moments will come, and your life in music, no matter how successful, will be empty unless it is about something greater than your career. You must protect your belief that the music is part of something greater than yourself -- greater than any of us. You have to keep studying and improving and trying [to] understand more deeply. Believe in yourself, but believe also that you can do better -- not just in a technical sense, but more beauty, more insight, more heartbreak -- more music. As Mr. [Jascha] Heifetz [violinist] said “There is no top. There are always further heights to reach.” We have never before had so many musicians of amazing proficiency, and yet it is rare to hear someone make truly beautiful music.

Whatever you do, whatever comes of your life in music, no matter how celebrated or ignored your role is, you must know why you have chosen to spend your life on this. As you face the harsh and humiliating aspects of our industry you must protect your belief in yourself, and in music and what it means. We live in the world of the automatic standing ovation, where praise is lavish and indiscriminate, and criticism is suspect. But in your internal world you must believe in a right and a wrong way, and that it matters. Make your life about something more than your job, your reputation or your ego. Be an example of what a musician should be.The moments of greatest happiness for me have ultimately not been some career milestone, but the moments when I learned something new, when I got one step closer to the unattainable. Love the details, know that they matter even if they don’t change your career, and never stop learning. This is not an easy path, but it is the only way to a meaningful life in music. My wish for all of you is that music will mean more to you at 60 than it did at 16, and that you will know the joy of humility, love and service to the most profound art I know in our world.

Image above, Cellist and Professor Brinton Smith, from his home page


RELATED ARTICLES
Slipped Disc Post, August 23 2019
Wikipedia page for Brinton Smith
Brinton Smith home page

Nobu & Fumi encore at Miyazaki, 2019

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This past May, Nobuyuki Tsujii joined his violinist friend Fumiaki Miur at the Miyazaki International Music Festival, where they performed a duo recital of violin sonatas by Franck and Brahms.  Some of the footage of their performance was seen in a documentary aired on NHK World in July.

The duo recital was enthusiastically received by the audience.  To sweeten the deal, Nobu and Fumi performed a surprise  crowd favorite, as described in this blog post by a piano teacher who was in the audience:
https://ameblo.jp/pianopianorunrun/entry-12459443729.html

...連休最後は宮崎国際音楽祭に行きました。
「三浦文彰×辻井伸行デュオ・リサイタル」です。
サブタイトルが「最強のふたり」
本当にその通りビックリマーク音譜
美しく繊細な中に若さあふれる躍動感
素晴らしい演奏にたくさんのパワーを
貰えましたドキドキ
会場は満席
アンコールに「真田丸」が演奏されると
観客の「お~!!」という歓声が
響き渡りました
...On the last day of the holidays, I went to the  Miyazaki International Music Festival. It was 'Fumiaki Miura × Nobuyuki Tsujii Duo recital.'  Subtitled 'The Strongest Two.' So true!
A lively feeling full of youthfulness, yet beautiful and delicate. Lots of power for great performances. I was in awe. The hall was full. When "Sananda maru" was played for encore, the hall resounded with the 'Oh!!' and cheers from the audience. 

You can see the audience reaction in the footage shown in this video.  Also watch how Nobu could not keep from smiling before Fumi struck the first note -- he knew the audience would go wild! And how he could not stop smiling at the end.

"Sanada Maru"「真田丸」is a popular historical fictiontelevision drama series aired on TV in Japan in 2016.  The soundtrack of the title music was played by Fumiaki Miura with a full orchestra, which earned him great fame.  Nobu also played for the sound track in the ending theme.  The two have since become good friends and have performed together often. In November 2016, they appeared on the NHK "Morning" show and played the "Sanada Maru" as a violin-piano duet --- it was a big hit and at one time there was a video of that performance on YouTube, which unfortunately has since been removed.

Image: Sanada Maru poster


RELATED ARTICLES
Nobu & Fumi at the 2019 Miyazaki International Festival
NHK World July 12 2019 documentary: Fumi & Nobu at Miyazaki Festival
Nobu on NHK "Morning" show 11-25-2016

Nobuyuki Tsujii in Armenia September 2019

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This week  Nobuyuki Tsujii is in the Black Sea region, where he will hold a recital in Armenia on September 6, followed by three concerts in Romania September 10-14, as part of 2019 George Enescu Festival.  I did not expect to hear much from these concerts, and foolishly thought all the news would fit on one page, but I was WRONG (happily!)  I had to start this separate page for the Armenia concert, to do justice to the great photos that have come up.
The news and stuff on Romania can be found at Nobuyuki Tsujii in Armenia & Romania September 2019
***
♪ The concert:
September 6 Friday 19:30 recital at the Aram Khachaturian Concert Hall
https://www.tomsarkgh.am/en/event/42451/Nobuyuki-Tsujii.html

***
Nobu has done it again!
♪ September 6 From Armenia: "The audience standing ovation lasted for so long, loudly"
Translated from Armenian
aleksanyan_asmikI went to a concert of Nobuyuki Tsujii. To say that it was incredible is to say nothing. This is an extraordinary talent, the playing of which evokes so many emotions ... Tears, a smile, inspiration, emotion. I wanted to approach him after the concert, but enthusiastic spectators were already waiting for him. When I left, I heard the words of a girl who, with surprise,gesturing with her hands, said to her friend: "It was as if something had opened in me, I don’t even know what." Perhaps her words fully describe the state of all the audience sitting in the hall today.
The audience standing ovation lasted for so long, loudly, that Nobuyuki played an encore three times, and how many times he simply went backstage and returned because the standing ovation did not stop, it is difficult to count. The encore was especially emotional. When the excited pianist, breaking free from the hands of the escort, quickly sat down at the piano and began to play, without waiting for the end of the applause. In these sounds are all his emotions and feelings, and you feel everything that he feels. You do not need words, facial expressions, gestures, nothing. Only this music coming straight from the soul. The woman sitting in the hall in front of me was wiping her tears. And to be honest, I sneaked a flash of emotion.
This is something incredible. Something so unusually beautiful and sincere.
This talented photo should definitely go out of the shadow of “history” and be here. ..

With a photo of the writer with Nobu, in street clothes.
This is an outstanding post. These words ring especially true and echo a lot of what has been said (especially from Japan) of Nobu:
"In these sounds are all his emotions and feelings, and you feel everything that he feels. You do not need words, facial expressions, gestures, nothing. Only this music coming straight from the soul."
Bravo, bravo!  This makes me proud to be a  long-time Nobu fan.  And so happy that they "get" Nobu in Armenia.   I thought they would -- the Armenians are a  deep-thinking people.
***
♪ September 6 Nobu on Armenia TV
Nobu's recital is ongoing as I type. He was on Armenia TV before that.
Thanks, CivilnetTV, for uploading the clip to YouTube!  In the clip, Nobu is seen playing on a Kawai piano and speaking to a reporter, accompanied by concert organizers.
***
♪ September 6  Armenia culture news article
Photo shows Nobu performing on stage, presumably at the Opera House, with audience in seats.
Nobu is in full tux.  The stage is beautifully lit.
Caption: photo/official site of the President of RA
[Translated from Armenian]
"I love my musical instrument" Blind pianist to give concert in Armenia
16:53 05.09.2019
Japanese pianist Nobuyuki Fuji has arrived in Armenia to participate in the Yerevan Perspectives international music festival.

YEREVAN, September 5 - Sputnik. World-renowned pianist Nobuyuki Tsujii, born blind, considers Armenia a wonderful country. He said this during a meeting with reporters today.

Serj Tankian
© SPUTNIK / EVGENIYA NOVOZHENINA

"I feel like I've come to a wonderful country where people are positive and hospitable," he said.

Tsujii has arrived in Armenia to take part in the Yerevan Perspectives International Music Festival, where he will perform a solo concert on September 6.

“I remember when I was little, my mom gifted me a toy piano. I fell in love with this toy from the very first moment because it sounded good to me. I don't even remember how I started playing. I only know that I am in love with my musical instrument. My mother says I was already playing tunes at the age of four,” the pianist says.

In 2009 Nobu, who was accorded the title of "Embodiment of Virtuosity" by the Observer [newspaper], was awarded a Gold Medal at the Cliburn International Piano Competition. Since then, the pianist has gained worldwide popularity due to his emotional and unique performances.

In solo concerts, Nobu performed in a number of major cities in North America, including at Carnegie Hall in New York. In addition, he has performed regularly at Europe's most famous venues including Paris Champs Elysee, London's Albert Concert Halls and elsewhere.

"Yerevan Perspectives" has other surprises. The first solo concert of legendary pianist Sir Andreas Schiff will take place on September 15 within the framework of the festival, and on September 24 the festival will host mega-star cellist Renauld Capucon. A series of concerts will be held October 1-9, with conductor Peter Unjian, violinist Pinchas Zuckerman, violinist Kim Kashkashyan, Kus String Quartet and others.

The festival is supported by "My Step" charitable foundation.
***
Instagram by Mr. Gourgen Karapetyan [PhD candidate and lecturer] of the Byurakan Art Academy
(who previously kindly informed us that "Nobu has arrived [in Armenia]".)
UPDATE: I asked and Mr. K very kindly wrote: "He played 3 encores, if I am not wrong. One of them was La Campanella."
 
Another photo from Mr. Gourgen Karapetyan , taken from the back of the concert hall, showing a full crowd in the audience.
https://www.instagram.com/p/B2FbhSLnfhI/
***
♪ September 3 Nobu opens the Fall season of the Yerevan International Music Festival 
https://www.soyarmenio.com.ar/2019/09/nobuyuki-tsujii-actuara-en-armenia.html
[Translated from Armenian]
Yerevan (SoyArmenio) —An exceptional concert by the outstanding Japanese pianist Nobuyuki Tsujii will open the fall season of the Yerevan International Music Festival on September 6.
The first recital in Armenia by the Japanese pianist, blind since his birth, will take place in the Aram Khachaturian Concert Hall in Yerevan at 7:30 pm.
The concert program features works by Claude Debussy, Maurice Ravel and Frederic Chopin.
On September 15, the legendary pianist Sir András Schiff will perform his first recital in Armenia on the sidelines of the festival, while the festival will host world-famous cellist Gautier Capuçon on September 24.
Legendary British vocal group The Swingles opened the Yerevan music festival on April 29, followed by a recital by prominent pianist Ivo Pogorelich and the first performance of the Grammy-winning Parker Quartet in Armenia on May 28.
The Yerevan Perspectives International Music Festival is held under the auspices of Armenian Prime Minister Nikol Pashinyan and with the support of the My Step Foundation.
The Japanese pianist Nobuyuki Tsujii is a classical pianist, born in Tokyo on September 13, 1988, joint-winner of the Van Cliburn Competition in 2009 and have appeared regularly in some of the best concert halls in the world.
He also composes music for the cinema, whicht already makes him a special artist. But all that pales in the face of an additional fact: he is blind from birth.
And there is an English version of this news article => https://www.panorama.am/en/news/2019/09/03/Nobuyuki-Tsujii/2161100
***
♪ September 4 Nobu's report from Armenia
The Nobuyuki Tsujii official website quietly posted a report from Armenia, which completely escaped my attention till now!
https://avex.jp/tsujii/photo/detail.php?photo_group_id=1000296
It comes with 4 photos, and this narrative
2019年9月4日
アルメニア エレバン
アルメニアの首都、エレバンに来ています。当地で行われる音楽祭「
YEREVAN PERSPECTIVES INTERNATIONAL MUSIC FESTIVAL
」に出演します。初めてのアルメニア滞在をとても楽しみにしていました。
今日はホテルから車で40分ほど行った閑静な住宅地にある主催者さんのスタジオで練習させて頂きました。ここのピアノは、なんと!キーシンさんが寄贈したピアノです!大変弾きやすく、集中して練習が出来ました。練習を終えた後、お礼に関係者の皆様へ感謝の気持ちを込めて《コルトナの朝》を演奏しました。
美味しい昼食もご用意いただき、主催さんから今までの音楽祭の話やこの音楽祭に対する想いなど沢山お話を伺いました。今年で20回を迎えるこの音楽祭で演奏できることを大変栄誉に思い、リサイタルに向け準備に励もうと思います。
音楽祭ホームページ
http://yerevanfestival.am/en/
September 4, 2019
Armenia Yerevan
I am in Yerevan, the capital of Armenia. I will perform at the "YEREVAN PERSPECTIVES INTERNATIONAL MUSIC FESTIVAL"
I was really looking forward to my first visit in Armenia.
Today, I practiced at the organizer's studio in a quiet residential area about 40 minutes by car from the hotel. What a piano there is! A piano donated by Keishin! It was very easy to play and I was able to concentrate and practice. After practicing, I thanked all of the people who thanked me for playing 'Cortona Morning.'
A delicious lunch was prepared, and the organizers told many stories about the music festival so far and their thoughts about this music festival. I am very honored to be able to perform at this festival, which will be held for the 20th time this year, and I will try to be ready for the recital.
Music festival website
http://yerevanfestival.am/en/
Photo 1:  Nobu playing on the piano donated by Kissin - it is a grand piano, but the top is not raised.

Photo 2:A plaque that says "The concert hall has been furnished and "Shigeru Kawai" grand piano purchased with support of "Pyunik" Foundation and world-renowned pianist Evengy Kissin [who just happens to be performing today September 6 in Romania at the Enescu Festival where Nobu will also perform on September 10.]

Photo 3:Nobu playing with a handful of people in the audience.

Photo 4: Nobu at a table spread with many dishes -- the delicious lunch!

Sharp-eyed Chie Minato commented on Facebook: " It seems Nobu has enjoyed the practice session as much as he enjoyed all those local delicious-looking Armenian dishes - grilled aubergines, tomatoes ( skin already peeled ), yellow paprikas, various kinds of bread, and green salad !"***
♪ September 4 "#nobuyukitsujii has arrived..."!!Mr. Gourgen Karapetyan [PhD and Lecturer at Yerevan Brusov State University of Languages and Social Sciences] posted on Instagram
https://www.instagram.com/p/B1_rmnTn7xF/
#nobuyukitsujii has arrived...
With a photo that shows Nobu and Mr. Karapetyan seated in a grassy courtyard outside a building.
Nobu, smiling, is wearing a pink long-sleeve shirt and jeans, shaggy-chic hair.
They each wrap an arm around the other's shoulders/back.
[Update: Now we know the photo was taken outside the building that houses the piano donated by Kissin.]

Great, and a big thanks to Mr. Karapetyan. 
Nobu's recital in Armenia is on Friday September 6 at the Aram Khachaturian Concert Hall.
We wish him great success.
***
♪ September 3 On his way!
空港で辻井伸行さんをお見かけした〜
"I saw Mr. Nobuyuki Tsujii 辻井伸行 at the airport".
🙏Safe journey, Tsujii-san!
***
♪ August 26 They are ready for Nobu in Armenia
karen_mehrabian [pianist, composer, instructor]
Nobuyuki Tsujii in Yerevan
Piano Recital
06/09/2019 19:30
Opera House
Aram Khachaturian Concert Hall
with a photo that shows a big banner of Nobu's concert draping the facade of the concert hall
***
♪ August 26 Promotion video from Armenia
An instagram https://www.instagram.com/p/B1nxY4NAJlk/ by the Assembly of Armenia, just posted, has a nice jazzy clip promoting a lineup of exciting events coming up next month, including a recital by Nobu on September 6. We wish them great success!
***
♪ August 12 "He is active!"Posted to instagram:
https://www.instagram.com/p/B1ERXIQgboJ/
#オペラ座 #エレバン #アルメニア #辻井伸行 #ポスター
The Opera pride of Armenia
辻井伸行リサイタルのポスター発見。9月6日にIntl. music fes. 、Aram Khachaturian Concert Hall で……活躍しています
#operatheatre #yerevan #armenia
"The Opera pride of Armenia. A poster for 辻井伸行Nobuyuki Tsujii recital was discovered. September 6th at Intl. Music fes. Aram Khachaturian Concert Hall ... he is active!"
With a photo of the exterior of the opera house, and a photo of the poster for Nobu's September 6 recital.
***
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YEREVAN PERSPECTIVES INTERNATIONAL MUSIC FESTIVAL

Նոբույուկի Ցուջի = Nobuyuki Tsujii 
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